Welcome to my portfolio website. Here you will find information on my current projects; resumes for acting, directing, and fight choregraphy; details about coaching; and headshots and show photos. My phone number is (781) 605-5374 and I can be reached by email at firstname.lastname@example.org. Please note that my former phone number (617-489-6929) is out of service, as is my former UK mobile number.
I appeared in the title role of It’s A Fiasco’s staging of Macbeth in Cambridge, MA in June 2016. Previous roles with the company include Antiochus and Old Pericles in Pericles in 2015, Theseus in A Midsummer Night’s Dream in 2014, and Don Pedro in Much Ado About Nothing in 2013.
I played the role of Heracles in J.A.S.O.N. by Pete Riesenberg (directed by Hatem Adell) at the Cantab Lounge in Cambridge, MA in October 2014. Also in October, I appeared as Bobbie Torbett in the staged reading of Scenes from the Big Picture by Owen McCafferty, produced by Solas Nua in Boston.
I am directing the Clark University Players Society production of Argonautika by Mary Zimmerman, going up in Dec. 2016.
I directed a staged reading of Thomas Middleton’s The Revenger’s Tragedy as a joint fundraiser project of It’s a Fiasco and Theatre @ First in March, 2016.
I directed the ten-minute play Welcome to the Beekman Arms by Marisa Smith (sponsored by It’s A Fiasco) for the 2015 Boston Theater Marathon.
I directed the Clark University Players Society production of The Man Who Came To Dinner by Moss Hart and George S. Kaufman, performed in April 2014.
I am currently a Visiting Lecturer in Theatre at College of the Holy Cross in Worcester, MA, teaching Stage Combat. I also choreographed fights for their production of Hamlet, directed by Edward Isser.
I choreographed fights for the New England College/Open Door Theatre production of Hamlet, directed by Glenn Stuart, in July 2016.
In 2015 I taught stage combat for the Performing Arts and Media department of Worcester State University, also doing fight choreography for their production of Good Night, Desdemona (Good Morning, Juliet). I also co-taught Shakespeare and Stage Combat for the summer session at Wheelock Family Theatre in Boston.
I continue to work as a Guest Artist for the Harvard Office of the Arts, teaching classes in unarmed stage combat and basic rapier combat. I have also choreographed fights for Harvard student productions of Little Women, The Pirates of Penzance, Lord of the Flies, and Acis and Galatea.
I also choreographed a fight for the Vine book trailers for The Rebel Pirate, the next book in Donna Thorland’s “Renegades of the Revolution” series. (See the trailer for the first book The Turncoat).
I was a panel member for a colloquy on “Theory and Original Practices” at the Eighth Blackfriars Conference at the American Shakespeare Center in October, 2015.
I was chosen as a presenter for the inaugural symposium of the New Researchers Network of the Society for Theatre Research in London (UK) in May 2014. My paper was titled “‘My Assurance Bids Me Search’: Towards a New Understanding of ‘Original Practices'”.
I was chosen to present at the the Seventh Blackfriars Conference at the American Shakespeare Center in Staunton, Virginia in October 2013. I led a staging session to illustrate critical variants in the Quarto and First Folio texts of Richard III with particular emphasis on the “Lady Anne” scene.